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・ Claude Scudamore Jarvis
・ Claude Seignolle
・ Claude Selveratnam
・ Claude Serre
・ Claude Shannon
・ Claude Sheppard
・ Claude Sicard
・ Claude Simon
・ Claude Simons
・ Claude Simons, Jr.
・ Claude Simons, Sr.
・ Claude Sionnest
・ Claude Sirvent
・ Claude Sitton
・ Claude Njiké-Bergeret
Claude Nobs
・ Claude Noel (boxer)
・ Claude Noel Highway
・ Claude Nollier
・ Claude Nougaro
・ Claude Nowell
・ Claude Noël
・ Claude Nunney
・ Claude O'Flaherty
・ Claude of France
・ Claude of France (1547–1575)
・ Claude of Lorraine
・ Claude Ollier
・ Claude Onesta
・ Claude Osteen


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Claude Nobs : ウィキペディア英語版
Claude Nobs

Claude Nobs (February 8, 1936 – January 10, 2013) was the founder and general manager of the Montreux Jazz Festival.
==Biography==

Nobs was born in Montreux, Switzerland. After apprenticing as a cook, Nobs worked in the Tourism Office of Montreux. He later went to New York, where he met Nesuhi Ertegün, the then-president of Atlantic Records. He also met Roberta Flack and invited her to the ''Rose d’Or de Montreux''. Later, Aretha Franklin made her first visit to Europe thanks to him.
At the age of 31, while he was director of the Tourism Office of Montreux, he organized the first jazz festival featuring artists such as Charles Lloyd, Keith Jarrett, Ron McLure and Jack DeJohnette. This new festival was an immediate success, and gained a reputation far beyond Switzerland. Nobs quickly transformed his festival into an international gathering place for lovers of jazz.
In 1971, Deep Purple decided to produce and record their album Machine Head in Montreux. The group was also scheduled to record at the Montreux Casino, shortly after Frank Zappa performed. During Zappa's concert, the venue caught fire and reduced the Casino to ashes. Nobs saved several young people who had hidden in the casino, thinking they would be sheltered from the flames. Nobs, who had served as a volunteer fireman, knew that the casino was not actually a safe place and acted immediately to get them out. This act earned him a mention (in the line ''Funky Claude was running in and out pulling kids out the ground'') in the song "Smoke on the Water", which is about the incident. Also, on the inner liner of the original album, Nobs' picture was the only one labeled with a name other than those of the band members themselves.
In 1973, Nobs became the director of the Swiss branch of Warner, Elektra and Atlantic. On the live Jethro Tull album ''Bursting Out'' (recorded on 28 May 1978 in Bern), one can hear Nobs announcing "Gueten Abig mitenand, und herzlich willkommen in der Festhalle Bern!" (Good evening everybody -in Swiss German-, and welcome to the Festhall of Bern).
During the 1990s, Nobs shared the directorship of the festival with Quincy Jones, and made Miles Davis an honorary host. The festival continued to diversify and was no longer exclusively devoted to jazz.
In 2004, the festival attracted 200,000 visitors. On 25 September 2004, Nobs received the Tourism Prize of Salz & Pfeffer. The canton of Vaud gave him the "Prix du Rayonnement" for his contributions to music. He has also received an honorary doctorate.
Nobs played harmonica on the opening track of the 1983 Chris Rea album Water Sign.
In 2005,〔(【引用サイトリンク】title=Montreux founder reveals his winning formula )〕 during the referendum campaign on registered partnership in Switzerland for same-sex couples he came out publicly to support the new law. At the time, Claude Nobs had been in a relationship with his partner, Thierry Amsallem, since 1987.
On 24 December 2012, he had an accident while Nordic skiing in Switzerland and fell into a coma. Nobs died on 10 January 2013 at age 76.〔(【引用サイトリンク】url=http://www.bbc.co.uk/news/entertainment-arts-20981739 )
Claude Nobs left a documentary heritage of international significance for current and future generations, inscribed as of June 2013 on UNESCO’s Memory of the World Register.
Thierry Amsallem, his partner, will continue to give life to Claude’s collection through the newly established Claude Nobs Foundation, with a goal of preserving and making accessible to the greatest number of people this compendium of 5000 hours of live recordings.
“It’s the most important testimonial to the history of music, covering jazz, blues and rock” is how Quincy Jones describes the Montreux Jazz Festival collection.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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